@awnlee jawkingHere's a conversation I had with CoPilot just now about metaphor:
Me: Can you come up with five variations on this sentence: He was overwhelmed by the beauty of her smile. Each sentence should include at least one simile or metaphor.
Absolutely, Mat. Here are five variations, each with a touch of figurative flair:
1. Her smile struck him like sunlight breaking through a storm—sudden, radiant, and impossible to ignore.
2. He felt like a sailor lured by a siren's song, utterly powerless beneath the spell of her smile.
3. Her smile was a spark in the dark chamber of his thoughts, setting everything alight with wonder.
4. It hit him like warm honey melting over his heart—her smile, slow and golden, undoing him.
5. Her smile bloomed before him like a field of wildflowers, unexpected and breathtaking in its simplicity.
Want me to spin a few of these into a short story or poem? Or switch up the mood—make them funny, mysterious, or bittersweet?
Me: Thanks! I notice that in each sentence you provide the comparison and then go on to "explain" it or add to it. While this is fine, I think that generally the comparison is stronger in fiction if it's left to stand by itself. I'm interested in your opinion.
That's a really insightful observation, Mat. There's definitely something potent about letting a metaphor or simile hang in the air without elaboration—like a perfectly struck note that resonates longer because it's not chased by explanation. When a comparison is left on its own, it invites the reader to lean in and complete the emotional connection themselves, which can create a more immersive and evocative experience. It trusts the reader's intuition.
That said, sometimes expanding on an image adds nuance or texture that might otherwise be missed, especially if the tone calls for lyricism or introspection. But in fiction, especially where pacing and subtlety are key, I agree—letting the metaphor stand can be the more powerful move. It's like giving the reader space to feel rather than being told what to feel.
Want to try refining some of those lines with a lighter touch? Or I could toss out a few comparisons that do just that.